Wer noch einmal die vielen Schmetterlinge sehen möchte, hier
ist eine neue Seite dazu.
Eine absolute unentbehrliche Folge für alle Sara und Grissom
Fans. Sehr gut gespielt, tolle kamera und Dialoge. Leider auch sehr traurig, wie viele der Szenen zwischen bzw. über Sara
und Grissom in der 4. Season.
Grissom ermittelt in einem Mordfall, aber diesmal ist er persönlich betroffen.
Denn die Tote sieht Sara sehr ähnlich. Wird sich Grissom seinen Gefühlen stellen oder wird er Sara immer weiter von sich wegstoßen.
BUTTERFLIED
Grissom becomes obsessed with a victim, a woman found murdered in her
home who looks just like Sara. The team then finds the disarticulated remains of their prime suspect in multiple garage cans
in the area, presenting them with a double homicide that appears to be the perfect crime until the team discovers an unlikely
piece of evidence left behind at the crime scene.
Written By:
David Rambo
Directed By:
Richard J. Lewis
Notes: Was originally titled "Fishing in Vegas"
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Dialog
GRISSOM: (quietly) It's sad, isn't it, doc? Guys like
us. Couple of middle- aged men who've allowed their work to consume their lives.
GRISSOM: The only time we
ever touch other people is when we're wearing our
latex gloves.
(LURIE turns to look at GRISSOM.)
GRISSOM:
We wake up one day and realize that for fifty years we haven't really lived at all. But then, all of a sudden ... we
get a second chance.
GRISSOM: (v.o.) Somebody young and beautiful shows up. Somebody ...
GRISSOM:
... we could care about. She offers us a new life with her ... ... but we have a big decision to make, right?
Because we have to risk everything we've worked for in order to have her.
(GRISSOM'S eyes move off of LURIE
and his words turn introspective.)
GRISSOM: I couldn't do it ...
(He refocuses on LURIE; their eyes meet.)
GRISSOM:
... but you did. You risked it all ...
(LURIE looks away, unable to hold GRISSOM'S knowing gaze.)
GRISSOM:
... and she showed you a wonderful life, didn't she? But then she took it away and gave it to somebody else, ...
GRISSOM:
(v.o.) ... and you were lost.
GRISSOM: So you took her life.
GRISSOM: You killed them both,
and now you have nothing.
VINCENT LURIE: (nods) I'm still here.
GRISSOM: Are you?
[OBSERVATION
ROOM VIEW]
(Through the glass, SARA watches GRISSOM sitting at the interview table, her image reflected in the glass.
Just how long she's been standing there, how much she's heard, is anyone's guess.)
(Camera refocuses on SARA.)
(Although
by the look on her face, we suspect she's heard it all. She watches as GRISSOM shakes his head and lowers it.
BRASS walks out of the room leaving GRISSOM alone at the table while SARA watches him.)
